Kaia’tanó:ron Dumoulin Bush is back at AbTeC/IIF!

Kaia’tanó:ron Dumoulin Bush. Ribbon Dress. Acrylic on panel. 2018.
Kaia’tanó:ron Dumoulin Bush. Ribbon Dress. Acrylic on panel. 2018.

Hello there!

I am back at AbTeC after completing my BFA in Indigenous Visual Culture at OCAD University. In December, my first solo exhibition TOO MUCH NOT ENOUGH opened and closed successfully, ending a chapter in my academic journey. I showed eight paintings and one sculpture that combined the artistic practices of the Onkwehonwe and French-Canadian sides of my family in different ways. In these works, I reject and question quantifications of worth applied to me by others, society, and myself—such as blood quantum—and in turn, disrupt expectations imposed on Indigenous women and makers. I will be showing select works from this exhibition at GRAD EX 104 from May 1st to 5th OCAD University. Hopefully, I can maintain a painting practice now that I am out of school!

Kaia’tanó:ron Dumoulin Bush. Starbucks White Boys. 96 inches by 36 inches. Acrylic and fringe on canvas. 2018.

Otherwise, I’ve been keeping busy! I am currently part of the Encore! Sistema team at the Karonhianonhnha and Kateri schools in Kahnawake. We have a concert at Oscar Peterson Hall on March 31st if you want to check us out. The kids are working so hard! I am also working on a short graphic novel anthology for Feathers of Hope and the-now-decommissioned Ontario Children’s Advocate called Blueberries; Healing the Circle, which will be published online near the end of the month.

Kaia’tanó:ron Dumoulin Bush. Garbage Bag Ribbon Dress. 36 inches by variable. Calico, garbage bag, ribbon. 2018.

At AbTeC, I am honored to be working on the Kanien’kehá:ka Onkwawén:na Raotitióhkwa Language and Cultural Centre Creation Story project. I am painting backgrounds and assets that will showcase great animation work and tell the Kanien’kehá:ka creation story. This is my first time painting to accompany animation and it is a great learning experience for me. Having worked on the first draft of the animatic this past summer, it is great to see the awesome job Ray Caplin did adding his magic touch, fleshing out and tidying up my (very) rough work— making it more cinematic. The prolific Teiowí:sonte Deer created the concept art for the project; learning to emulate his aesthetic and artisanship has become a fun challenge for me. I find myself tuning into stylistic details that I would have never noticed before. On top of this, I get to do my work on my new Cintiq Pro 16 that I got over the holidays, it is super portable and it is really speeding up my working processes!

I can’t wait to see what the rest of 2019 brings. Keep making!

You can learn more about Kaia’tanó:ron’s work here!

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